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"You may depend upon me," says Rodney, lifting his hat, and respecting the elder man's care for the well-being of his beloved, even in the midst of his own immediate danger. Then, in another moment, Maxwell has turned his horse's head, and is soon out of sight. It is a very curious little room they enter,—yet pretty, withal, and suggestive of care and affection, and certainly not one to be laughed at. Each object that meets the view seems replete with pleasurable memory,—seems part of its gentle mistress. There are two windows, small, and with diamond panes like the parlor, and in the far end is a piano. There are books, and some ornaments, and a huge bowl of sweetly-smelling flowers on the centre-table, and a bracket or two against the walls. Some loose music is lying on a chair. "Oh," said the Raven, "you do not believe me. Come outside, come outside, and I will make you believe.".

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"Oh, do take care!" cries Mona, in an agony: "it is loaded. If you throw it about in that rough fashion, it will certainly go off and do you some injury." Is this, can this be premeditated, or is it a fatal slip of the tongue? Lady Rodney turns pale, and even Geoffrey and Nolly stand aghast. Mona alone is smiling unconcernedly into Lady Lilias's eyes, and Lady Lilias, after a brief second, smiles back at her. It is plain the severe young woman in the sage-green gown has not even noticed the dangerous remark. "I'm sure I don't wonder," says Geoffrey, very humbly. "I beg your pardon a thousand times; and—good-by, Miss Mona." "Take me down," says Mona, wearily, turning to her lover, as the last faint ring of the horse's feet dies out on the breeze..